Contact
Email: eltiberia@cambridge.org
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Thanks and acknowledgements
Cambridge University Press is part of the University of Cambridge.
It furthers the University's mission by disseminating knowledge in the pursuit of education, learning and research at the highest international levels of excellence.
José Abascal 56, 1° – 28003 Madrid, Spain
www.cambridge.es
© Cambridge University Press 2016
This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press.
First published 2016
Digital Empower B1+ DVD-ROM: 9788490361139
Digital Empower B1+ Online: 9788490362198
Information and additional resources for this title at www.cambridge.es/empower
Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. Information regarding prices, travel timetables, and other factual information given in this work is correct at the time of first printing but Cambridge University Press does not guarantee the accuracy of such information thereafter.
Authors
Student's Book: Adrian Doff, Craig Thaine, Herbert Puchta, Jeff Stranks, Peter Lewis-Jones with Rachel Godfrey and Gareth Davies
Workbook: Peter Anderson
Teacher's Book: Rachel Godfrey with Ruth Gairns, Stuart Redman, Wayne Rimmer
Student's Book Acknowledgements
The publishers would like to thank the following teachers and ELT professionals for the invaluable feedback they have provided during the development of the B1+ Student's book:
Andre Alipio, Brazil; Peggy Altpekin, Turkey and the Gulf; Natalia Bayrak, Russia; Kate Chomacki, UK; Leonor Corradi, Argentina; Ludmila Gorodetskaya, Russia; Ludmila Kozhevnikova, Russia; Steve Laslett, UK; Rabab Marouf, Syria; Christina Maurer Smolder, Australia; Mariusz Mirecki, Poland; Catherine Morley, Spain; Antonio Mota Cosano, Spain; Julian Oakley, UK; Litany Pires Ribeiro, Brazil; Elena Pro, Spain; Wayne Rimmer, Russia; Ruth Sánchez, Spain; Hilda Zubiria, Peru.
The publishers are grateful to the following contributors: Gareth Boden: commissioned photography; Leon Chambers: audio recordings; Hilary Luckcock: picture research; Rob Maidment and Sharp Focus Productions: video recordings, video stills; Ann Thomson: commissioned photography; Catherine Smith: writer (Speaking Plus); Janelle Kolas: writer (Get it right!); Louise Davoren: editor (English for Spanish Speakers); Charlotte Johnson: editor (English for Spanish Speakers); Lanchuela: design and typesetting (English for Spanish Speakers); Paloma Bermejo: picture research (English for Spanish Speakers); Theo Jaskolkowski and Robert Campbell: audio recordings (English for Spanish Speakers)
The authors and publishers acknowledge the following sources of copyright material and are grateful for the permissions granted. While every effort has been made, it has not always been possible to identify the sources of all the material used, or to trace all copyright holders. If any omissions are brought to our notice, we will be happy to include the appropriate acknowledgements on reprinting.
The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.
The publishers are grateful to the following for permission to reproduce copyright photographs and material:
Key: L = left, C = centre, R = right, T = top, B = bottom
p7: Corbis/Andy Richter/Aurora Photos; p8(main): Alamy/OJO Images Ltd; p8(a): Alamy/ Jochen Tack; p8(b): Alamy/ipm; p8(c): Alamy/VISUM Foto GmbH; p8(d): Getty/Nicolas McComber; p11(a): Superstock/Voisin/Phanie; p11(b): CUP; p11(c): Shutterstock/AVAVA; p11(d): Alamy/Claudia Wiens; p19: Alamy/ViewPictures Ltd; p20: Alamy/Wavebreakmedia Ltd UC4; p21(a): Getty/MichaelDeleon; p21(b): Corbis/Chad Springer/Cultura; p21(c): Corbis/Sonja Pacho; p21(d): Getty/Peter Dazeley; p21(e): Corbis/Odilon Dimier /PhotoAlto; p21(f): Thinkstock/Goodshot; p22: Getty/Mike Harrington; p23(B): Getty/Mareen Fischinger; p25: Alamy/Viktor Cap; pp28/29: Shutterstock/Lai Ching Yuen; p31: Getty/Erik Dreyer; p32: Shutterstock/Anton Gvozdikov; p33(T): Alamy/AF Archive; p33(B): Corbis/Britta Pedersen/dpa; p35(a): Alamy/Judith Dzierzawa; p35(b): Getty/Nancy Ney; p35(c): Corbis/68 / Larsen@Talbert/Ocean; p35(d): Masterfile; p35(e): Alamy/David Wall; p35(f): Getty/Juan Silva; p35(g): Corbis/Paul Burns/Blend Images; p35(h): Superstock/ age fotostock; pp36/37: Superstock/Henry Georgi/All Canada Photos; p36(T): Alamy/Janine Wiedel Photolibrary; p37(L): Alamy/MBI; p37(R): Alamy/Image Source; p40(main): Corbis/ClassicStock; p40(L): Getty/George Marks; p40(R): Topfoto/Topfoto.co.uk; p43: Getty/Ghislain & Marie David de Lossy; p44(T): The Guardian/Graeme Robertson; p44(B): Getty/JB Lacroix; p45(TL): TimeOut, Hong Kong/Calvin Sit; p45(TR): Rex; p45(BL): Rex/Offside; p45(BR): Corbis/Andreas Lander /dpa; p46: Corbis/Kevin Dodge; p47: Random House LLC; p48(L): Alamy/Dinodia Photos; p48(R): Getty/William Philpott; p49(TL): Alamy/Mandoga Media; p49(TR): Masterfile; p49(BL): Getty /Fred Duval; p52(L): Masterfile/Robert Harding Images; p52(R): Masterfile; pp52/53: Corbis/Vstock/Tetra Images; p55: Getty/Per-Andre Hoffmann; p56(R) (forest): Whitley Fund For Nature; p56(BL): Alamy/Lou Linwei; p57(T) (logo): Whitley Fund For Nature; p57(TR): Whitley Fund For Nature; p57(T) (inset): Alamy/imageBroker; p57(CL): Whitley Fund For Nature; p57(CL) (inset): Whitley Fund For Nature; p57(BL): Alamy/F1online digitale Bildagentur GmbH; p57(BR): Whitley Fund For Nature; p57(BR)(inset): Whitley Fund For Nature; p58(T): Alamy/Kevin Schafer; p58(T)(inset): Alamy/Adrian Hepworth; p58(B): Shutterstock/Juice Team; p59(T)(a): Alamy/Stocksnapper; p59(T)(b): Getty/Anita Stizzoli; p59(1): Getty/Peter Walton Photography; p59(2): Shutterstock/v voe; p59(3): Shutterstock/zcw; p59(B)(a): Getty /AFP; p59(B)(b): Shutterstock/Sergey Skleznev; p59(B) (c): Shutterstock/violetkaipa; p60(T): Shutterstock/Svetlana Yudina; p60(B): Shutterstock/Shane Gross; p61(TL): Alamy/ Westend61GmbH; p61(TC): Alamy/Alaska Stock; p61(TR): Alamy/blickwinkel; p61(CL): Corbis/Paul van Hoof/Buten-beeld/Minden Pictures; p61(CR): Alamy/Juniors Bildarchiv GmbH; p61(BL): Corbis/Stephen Dalton/Minden Pictures; p61(BR): Rex/Image Broker; p64(T): Alamy/World Pictures; p64(B): Rex/Jay Town/Newspix; p65: Rex/FLPA; p67: Corbis/Hugh Sitton; pp68/69(B): Superstock/Franck Binewald/Imagebroker.net; p69(L) (firefighters): PA/Eraldo Peres/AP; p69(L)(jeep): Alamy/patrick nairne; p69(L)(hospital): Rex/Sipa Press; p69(TR): BBC Photo Sales; p70: Alamy/imageBroker; p71(a): Alamy/Julie Woodhouse; p71(b): Alamy/Martin Turzak; p71(c): Alamy/Food and Drink Photos; p71(d): Alamy/amana images inc.; p71(e): Shutterstock/Sean Wandzilak; p71(B): Alamy/Robert Harding Picture Library Ltd; p72(TL): Shutterstock/racorn; p72(TR): Alamy/MBI; p72(B): Alamy/JLImages; p73(L): Corbis/Inspirestock; p73(C): Alamy/Simon Reddy; p73(R): Alamy/ Bon Appetit; p76(1): Shutterstock/Radu Bercan; p76(2): Alamy/Robert Harding Picture Library Ltd; p76(3): Shutterstock/jan kranendonk; p77: Shutterstock/posztos; p79: Corbis/Michael Freeman; p80(a): Shutterstock/Natali Glado; p80(b): Superstock/View Pictures Ltd; p80(c): Alamy/Peter Donaldson; p80(d): Alamy/CulturalEyes-N; p81(T): Shutterstock/Breadmaker; p81(BL): Alamy/Greg Balfour Evans; p81(BR): Superstock/View Pictures Ltd; p82(L): Alamy/les polders; p82(a): Alamy/Jon Arnold Images Ltd; p82(b): Alamy/Images&Stories; p82(c): Alamy/David J. Green; p82(d): Alamy/Adam Burton; p82(e): Alamy/Clive Sawyer; p82(f): Alamy/Doug Houghton; p83(T): Getty/Folio Images; p83(B): Alamy/David Lyon; pp84/85: Corbis/Atlantide Phototravel; p85(Pablo): Masterfile; p85(Jen): Masterfile/Beth Dixson; p85(Kira): Masterfile; p88(TR): Shutterstock/Richard Goldberg; p88(CR): Alamy/North Wind Picture Archives; p88(main): Science Photo Library/National Reconnaissance Office; p89: Shutterstock/Richard Cavalleri; p91: Real Madrid via Getty Images; p93(T): Corbis/Gary Hershorn/Reuters; p93(B): Science Photo Library/Ria Novosti; p94: Getty/Nicolas McComber; p95(TR): Shutterstock/Goodluz; p95(CL): Corbis/Rick Friedman; p95(BL): Masterfile/Al Accardo; p100(a): Shutterstock/pio3; p100(b): Rex/Isopix; p100(c): Getty/Daniel Reiter/Stock4B; p103: Corbis/Lucas Jackson/Reuters; p104(TR): Rex/Moviestore; p104(CL): Rex/Moviestore; p104(CC): Rex/c.W. Disney/Everett; p104(CR): Kobal/Lucasfilm/20th Century Fox; p104(BL): Ronald Grant Archive/New Line Cinema/Wingnut Films/Lord Dritte Productions Deutschland Filmproduktion GmbH/Saul Zaentz Co.; p105(TR): Rex/Courtesy Everett Collection; p105(CL): Capital Pictures/NFS; p105(CR): Alamy/AF Archive; p105(BL): Capital Pictures/NFS; p105(BR): Photofest/Walt Disney Studios; p106: Corbis/enewsimage.com/Splash News; p107(L)(1): Alamy/Rob Ball; p107(L)(2): Alamy/Juice Images; p107(L)(3): Alamy/Ted Foxx; p107(R)(a): Shutterstock/ Igor Bulgarin; p107(R)(b): Lebrecht Music & Arts/Leemage; p107(R)(c): Alamy/Jose Elias/StockPhotosArt – Events; p108/109: Splash UK; p108(L): Rex/Gonzales Photo/Christian Hjorth/PYMCA; p109: Getty Images Entertainment; p112(T): Alamy/John Warburton-Lee Photography; p112(B): Alamy/Juice Images; p113(L): Alamy/Geraint Lewis; p113(C): Shutterstock/ Martin Lehmann; p113(TR): Rex/ Benjamin Lozovsky/BFAnyc.com; p113(BR): Lebrecht Music & Arts/Chris Christodoulou; p115: Corbis/Andrew Fox; p116(TL): Getty Images Sport; p116(BL): Alamy/Zuma Press Inc.; p116(BR): Getty/Shannon Stent; p117(T): Shutterstock/Richard Whitcombe; p117(B): Corbis/Remko de Waal/epa; p118(CL): Alamy/Mikhail Kondrashov “fotomik”; p118(BL): Alamy/imageBroker; p118(BR): Rex/Terry Harris; p119(a)(T): Shutterstock/Monkey Business Images; p119(b)(C): Shutterstock/Jacek Fulawka; p119(c)(L): Alamy/Robert Stainforth; p119(c)(R): Alamy/PYMCA; p119(c)(B): Shutterstock/Brian Eichhorn; p119(background): Shutterstock/ Songquan Deng; p120(TR): Shutterstock/Monkey Business Images; p120(BR): Shutterstock/ Image Point Fr; p124(T): Masterfile; p124(B): Masterfile/R. Ian Lloyd; p125(T): Corbis/Oliver Rossi; p125(B): Alamy/Yvette Cardozo; p130: Kobal/RKO; p154(T): Shutterstock/Pu Su Lan; p154(C): Alamy/Global Warming Images; p154(B): Alamy/Tips Images/Tips Italia Srl a socio unico; p155(R)(1): Shutterstock/ alslutsky; p155(R)(2): Getty/ Visuals Unlimited. Inc; p155(R)(3): Alamy/Images&Stories; p155(R)(4): Rex/Image Broker; p155(R)(5): Masterfile/Minden Pictures; p155(R)(6): Shutterstock/Cathy Keifer; p160(1): Kobal/ Paramount Pictures; p160(2): Corbis/Radius Images; p160(3): Rex/Ken McKay; p160(4): Kobal/New Line Productions/Michael Ginsberg; p160(5): Disney-ABC via Getty Images; p160(6): Kobal/Universal; p160(7): Ronald Grant Archive/Walt Disney Pictures/Pixar Animation Studios; p160(8): Rex/ITV; p160(9): Kobal/Dream Works Animation; p160(10): Rex/FremantleMedia Ltd; p160(11): Ronald Grant Archive/Ariescope Pictures; p160(12): Kobal/Samson Films/Summit Entertainment; p162(L): Andersen Ross/Getty Images; p162(R): Daniel Allan/Getty Images; p164 (BR): Bloomberg/Getty Images; p164 (BR): Olaf Doering/Alamy; p166 (T): ES Boston/Alamy; p166 (B): Goeorge Impey/Alamy; p168 (TL): Vanessa Davies/Getty Images; p168 (TR): Eric Farrelly/Alamy; p170: Jeanette Dieti/Shutterstock; p172 (TL): Noel Moore/Shutterstock; p172 (CR): Galiptynutz/Shutterstock; p172 (BR): ACnoncc/Alamy; p174 (L): Vittoriano Rastelli/Corbis; p174 (TR): Michael Haegele/Corbis; p174 (BR): Sally and Richard Greenhill/Alamy; p176 (T): Greg Pease/Getty Images; p176 (C): DreamPictures/Getty Images; p176 (B): John Robertson/Alamy; p178 (TR): Doug Houghton SCO/Alamy; p178 (CR): PCJones/Alamy; p178 (BL): Ian Dagnall/Alamy; p180 (T): Tony Tallec/Alamy; p180(BL): MBI/Alamy; p180 (BR): Cultura RM/Igor Emmerich/Getty Images; p182: Marcio Machado/ZUMA Wire/Alamy Live News; p183: CI2/Alamy; p184: Maurice Croooks/Alamy; p185: SOPA RF/SOPA/Corbis; p186:David Cumming/Eye Ubiquitous/Corbis; p187: Cynthia Lindow/Alamy.
Commissioned photography by Gareth Boden: pp10(T,B), 16(all), 28, 95(BR), 119(a)(C), p119 (b)(T,B) and 120(L).
We are grateful to Barratt Developments plc and Neide's Deli Cafe for their help with the commissioned photography.
Front cover photograph: Shutterstock/zhu difeng.
Cover design: Chefer
The publishers would like to thank the following illustrators: Beatrice Bencivenni, Mark Bird, Mark Duffin, Jo Goodberry, Mark (KJA Artists), Jerome Mireault, Gavin Reece, Gregory Roberts, Sean (KJA Artists), David Semple, Sean Sims, Marie-Eve-Tremblay, Antonio Cuesta Cornejo (English for Spanish Speakers).
Video: Click here
Corpus Development of this publication has made use of the Cambridge English Corpus (CEC). The CEC is a computer database of contemporary spoken and written English, which currently stands at over one billion words. It includes British English, American English and other varieties of English. It also includes the Cambridge Learner Corpus, developed in collaboration with the University of Cambridge ESOL Examinations. Cambridge University Press has built up the CEC to provide evidence about language use that helps to produce better language teaching materials.
English Profile This product is informed by the English Vocabulary Profile, built as part of English Profile, a collaborative programme designed to enhance the learning, teaching and assessment of English worldwide. Its main funding partners are Cambridge University Press and Cambridge ESOL and its aim is to create a 'profile' for English linked to the Common European Framework of Reference for Languages (CEFR). English Profile outcomes, such as the English Vocabulary Profile, will provide detailed information about the language that learners can be expected to demonstrate at each CEFR level, offering a clear benchmark for learners' proficiency. For more information, please visit www.englishprofile.org
CALD The Cambridge Advanced Learner's Dictionary is the world's most widely used dictionary for learners of English. Including all the words and phrases that learners are likely to come across, it also has easy-tounderstand definitions and example sentences to show how the word is used in context. The Cambridge Advanced Learner's Dictionary is available online at dictionary.cambridge.org. © Cambridge University Press, Third Edition, 2008 reproduced with permission.
Workbook Acknowledgements
The authors and publishers acknowledge the following sources of copyright material and are grateful for the permissions granted. While every effort has been made, it has not always been possible to identify the sources of all the material used, or to trace all copyright holders. If any omissions are brought to our notice, we will be happy to include the appropriate acknowledgements on reprinting and in the next update to the digital edition, as applicable.
The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.
The publishers are grateful to the following for permission to reproduce copyright photographs and material:
Key: L = left, C = centre, R = right, T = top, B = bottom
p.4(TR): Shutterstock/ARENA Creative; p.4(BL): Alamy/allesalltag; p.5(TL): Shutterstock/stefanolunardi; p.5(BR): Shutterstock/Christian Knospe; p.6(T): Shutterstock/TATSIANAMA; p.6(BR): Shutterstock/Ruslan Guzov; p.7(BR): Shutterstock/Iakov Filimonov; p.8(CR): Shutterstock/oneinchpunch; p.9(TL): Shutterstock/f9photos; p.10(BL): Shutterstock/wavebreakmedia; p.11(CL): Shutterstock/Galina Barskaya; p.11(TR): Shutterstock/Patryk Kosmider; p.12(B): Shutterstock/OrelPhoto; p.13(TR): Shutterstock/Stephen Coburn; p.14(TR): Shutterstock/wavebreakmedia; p.15(TL): Shutterstock/racorn; p.16(TL): Shutterstock/2xSamara.com; p.16(BR): Shutterstock/BlueOrange Studio; p.17(TL): Alamy/MBI/Stockbroker; p.17(BL): Alamy/OJO Images Ltd/Robert Nicholas; p.17(BR): Alamy/Janine Wiedel Photolibrary/janine wiedel; p.18(B): Shutterstock/Alan49; p.19(BL): Alamy/ClassicStock/H. ARMSTRONG ROBERTS; p.20(B): Shutterstock/Alex Staroseltsev; p.21(TL): Shutterstock/Johnny Habell; p.22(CL): Shutterstock/Pavel L Photo and Video; p.22(T): Alamy/PCN Photography/PCN Black; p.23(CR): Shutterstock/Visionsi; p.23(TL): Alamy/Kumar Sriskandan; p.23(TR): Shutterstock/RubinowaDama; p.24(BR): Alamy/Johner Images; p.24(TR): Shutterstock/Anton Kudelin; p.25(TR): Alamy/Pontino; p.26(BL): Shutterstock/Maglara; p.28(BL): Alamy/Blend Images/Ronnie Kaufman/Larry Hirshowitz; p.28(TR): Alamy/Lou Linwei; p.29(CL): Shutterstock/Stuart Monk; p.29(1): Shutterstock/Matt Gibson; p.29(2): Shutterstock/LoloStock; p.29(3): Shutterstock/LauraDyer; p.29(4): Shutterstock/Panu Ruangjan; p.29(5): Shutterstock/italay; p.29(6): Shutterstock/Olha Insight; p.29(7): Shutterstock/wandee007; p.29(8): Shutterstock/Aleksey Stemmer; p.29(9): Shutterstock/Tiago M Nunes; p.30(BL): Shutterstock/MNBB Studio; p.31(TL): Alamy/Travel Pictures/Pictures Colour Library; p.31(B): Shutterstock/Olivier Le Queinec; p.32(B): Shutterstock/Bruce Rolff; p.33(CL): Shutterstock/Concept Photo; p.34(TR): Getty Images/Doug Menuez; p.34(BL): Shutterstock/SK Kim; p.35(CL): Shutterstock/ariadna de raadt; p.35(BR): Shutterstock/Yellowj; p.36(B): Shutterstock/Viacheslav Lopatin; p.36(TR): Shutterstock/antb; p.37(T): Shutterstock/posztos; p.38(CR): Shutterstock/RioPatuca; p.40(CL): Shutterstock/Tyler Olson; p.41(TL): Shutterstock/Adam Gregor; p.41(TR): Alamy/Blend Images/Jade; p.42(TR): Alamy/Inmagine; p.42(BR): Shutterstock/Diego Cervo; p.43(C): Getty Images/Karl Blackwel; p.43(BR): Getty Images/Ekaterina Monakhova; p.44(C): Shutterstock/Darren Brode; p.46(T): Shutterstock/Kiko Calderon ESP; p.47(CL): Shutterstock/Takacs Szabolcs; p.47(TR): Getty Images/Jupiterimages; p.48(BL): Getty Images/Yellow Dog Productions; p.48(TR): Alamy/Geof Kirby; p.49(TR): Alamy/imageBROKER/Martin Schrampf; p.50(CR): Shutterstock/Lopolo; p.50(BR): Shutterstock/Blend Images; p.50(TR): Shuttertsock/wellphoto; p.51(B): Shutterstock/ronstik; p.52(TL): Kobal/Lucasfilm/20th Century Fox; p.52(TR): Getty Images/ABC/Lorenzo Bevilaqua; p.53(TR): Shutterstock/Igor Bulgarin; p.54(TR): Shutterstock/cdrin; p.54(B): Ronald Grant Archive/Walt Disney Pictures/Pixar Animation Studios; p.55(TL): Shutterstock/Air Images; p.55(BR): Shutterstock/Goodluz; p.56(B): Shutterstock/gualtiero boffi; p.57(TL): Shutterstock/stocksolutions; p.58(TL): Shutterstock/MIMOHE; p.58(TR): Shutterstock/arek_malang; p.58(CR): Getty Images/AFP/PAUL ELLIS; p.59(TL): Shutterstock/CHEN WS; p.59(BL): Alamy/P.D. Amedzro; p.59(TR): Shutterstock/Viacheslav Lopatin; p.60(BL): Alamy/Wild Places Photography/Chris Howes; p.60(TR): Alamy/AF archive/A.F. ARCHIVE; p.61(CR): Shutterstock/marchello74; p.62(B): Shutterstock/Rob Hainer.
Video stills by Rob Maidment and Sharp Focus Productions: p.30, 64, 66, 67, 68, 69, 71.
Filming in King's College by kind permission of the Provost and Scholars of King's College, Cambridge.
Illustrations by Ben Swift p. 49; Vicky Woodgate p.12, 19.
Teacher's Book Acknowledgements
The publishers would like to thank the following contributors to the English for Spanish Speakers edition: Eoin Higgins: writer (Teacher's notes); Louise Davoren: editor; Penny Nicholson: editor; Lanchuela: design and typesetting
The publishers would like to thank the following illustrators: Mark Bird, Sean (KJA), Paul Williams
Corpus Development of this publication has made use of the Cambridge English Corpus (CEC). The CEC is a computer database of contemporary spoken and written English, which currently stands at over one billion words. It includes British English, American English and other varieties of English. It also includes the Cambridge Learner Corpus, developed in collaboration with the University of Cambridge ESOL Examinations. Cambridge University Press has built up the CEC to provide evidence about language use that helps to produce better language teaching materials.
English Profile This product is informed by English Vocabulary Profile, built as part of English Profile, a collaborative programme designed to enhance the learning, teaching and assessment of English worldwide. Its main funding partners are Cambridge University Press and Cambridge English Language Assessment and its aim is to create a 'profile' for English linked to the Common European Framework of Reference for Languages (CEFR). English Profile outcomes, such as the English Vocabulary Profile, will provide detailed information about the language that learners can be expected to demonstrate at each CEFR level, offering a clear benchmark for learners' proficiency. For more information, please visit www.englishprofile.org
CALD The Cambridge Advanced Learner's Dictionary is the world's most widely used dictionary for learners of English. Including all the words and phrases that learners are likely to come across, it also has easy-to-understand definitions and example sentences to show how the word is used in context. The Cambridge Advanced Learner's Dictionary is available online at dictionary.cambridge.org. © Cambridge University Press, Fourth Edition, 2013 reproduced with permission.
Photo acknowledgements: The authors and publishers acknowledge the following sources of copyright material and are grateful for the permissions granted. While every effort has been made, it has not always been possible to identify the sources of all the material used, or to trace all copyright holders. If any omissions are brought to our notice, we will be happy to include the appropriate acknowledgements on reprinting.
The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.
The publishers are grateful to the following for permission to reproduce copyright photographs and material:
Key: UO = Unit Overview, L = left, C = centre, R = right, T = top, B = bottom
Lessons A&B p9(a): Shutterstock/Natali Glado; Lessons A&B p9(b): Superstock/View Pictures Ltd; Lessons A&B p9(c): Alamy/Peter Donaldson; Lessons A&B p9(d): Alamy/CulturalEyes-N; Lessons A&B p9(Scottish cottage): Alamy/les polders; Lessons A&B p9 R(a): Alamy/Images&Stories; Lessons A&B p9 R(b): Alamy/Jon Arnold Images Ltd; Lessons A&B p9 R(c): Alamy/David J. Green; Lessons A&B p9 R(d): Alamy/Adam Burton; Lessons A&B p9 R(e): Alamy/Clive Sawyer; Lessons A&B p9 R(f): Alamy/Doug Houghton; Lesson 7C pp10: Rob Maidment and Sharp Focus Productions for Cambridge University Press; Lesson D p11(TR): Shutterstock/Richard Goldberg; Lesson D p11(CR): Alamy/North Wind Picture Archives; Lesson D p11(rocket): Science Photo Library/National Reconnaissance Office; Lesson D p11: Shutterstock/Richard Cavalleri; Lesson E p12 (L): Vittoriano Rastelli/Corbis; Lesson E p12 (TR): Michael Haegele/Corbis; Lesson E p12 (BR): Sally and Richard Greenhill/Alamy; Get it right! p13 (CL): David Cumming/Eye Ubiquitous/Corbis; Get it right! p13 (BR): Cynthia Lindow/Alamy.
Front cover photograph: Shutterstock/zhu difeng.
Cover design: Chefer
Cambridge University Press is part of the University of Cambridge.
It furthers the University's mission by disseminating knowledge in the pursuit of education, learning and research at the highest international levels of excellence.
José Abascal 56, 1° – 28003 Madrid, Spain
www.cambridge.es
© Cambridge University Press 2016
This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press.
First published 2016
Digital Empower B1+ DVD-ROM: 9788490361139
Digital Empower B1+ Online: 9788490362198
Information and additional resources for this title at www.cambridge.es/empower
Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. Information regarding prices, travel timetables, and other factual information given in this work is correct at the time of first printing but Cambridge University Press does not guarantee the accuracy of such information thereafter.
Authors
Student's Book: Adrian Doff, Craig Thaine, Herbert Puchta, Jeff Stranks, Peter Lewis-Jones with Rachel Godfrey and Gareth Davies
Workbook: Peter Anderson
Teacher's Book: Rachel Godfrey with Ruth Gairns, Stuart Redman, Wayne Rimmer
Student's Book Acknowledgements
The publishers would like to thank the following teachers and ELT professionals for the invaluable feedback they have provided during the development of the B1+ Student's book:
Andre Alipio, Brazil; Peggy Altpekin, Turkey and the Gulf; Natalia Bayrak, Russia; Kate Chomacki, UK; Leonor Corradi, Argentina; Ludmila Gorodetskaya, Russia; Ludmila Kozhevnikova, Russia; Steve Laslett, UK; Rabab Marouf, Syria; Christina Maurer Smolder, Australia; Mariusz Mirecki, Poland; Catherine Morley, Spain; Antonio Mota Cosano, Spain; Julian Oakley, UK; Litany Pires Ribeiro, Brazil; Elena Pro, Spain; Wayne Rimmer, Russia; Ruth Sánchez, Spain; Hilda Zubiria, Peru.
The publishers are grateful to the following contributors: Gareth Boden: commissioned photography; Leon Chambers: audio recordings; Hilary Luckcock: picture research; Rob Maidment and Sharp Focus Productions: video recordings, video stills; Ann Thomson: commissioned photography; Catherine Smith: writer (Speaking Plus); Janelle Kolas: writer (Get it right!); Louise Davoren: editor (English for Spanish Speakers); Charlotte Johnson: editor (English for Spanish Speakers); Lanchuela: design and typesetting (English for Spanish Speakers); Paloma Bermejo: picture research (English for Spanish Speakers); Theo Jaskolkowski and Robert Campbell: audio recordings (English for Spanish Speakers)
The authors and publishers acknowledge the following sources of copyright material and are grateful for the permissions granted. While every effort has been made, it has not always been possible to identify the sources of all the material used, or to trace all copyright holders. If any omissions are brought to our notice, we will be happy to include the appropriate acknowledgements on reprinting.
The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.
The publishers are grateful to the following for permission to reproduce copyright photographs and material:
Key: L = left, C = centre, R = right, T = top, B = bottom
p7: Corbis/Andy Richter/Aurora Photos; p8(main): Alamy/OJO Images Ltd; p8(a): Alamy/ Jochen Tack; p8(b): Alamy/ipm; p8(c): Alamy/VISUM Foto GmbH; p8(d): Getty/Nicolas McComber; p11(a): Superstock/Voisin/Phanie; p11(b): CUP; p11(c): Shutterstock/AVAVA; p11(d): Alamy/Claudia Wiens; p19: Alamy/ViewPictures Ltd; p20: Alamy/Wavebreakmedia Ltd UC4; p21(a): Getty/MichaelDeleon; p21(b): Corbis/Chad Springer/Cultura; p21(c): Corbis/Sonja Pacho; p21(d): Getty/Peter Dazeley; p21(e): Corbis/Odilon Dimier /PhotoAlto; p21(f): Thinkstock/Goodshot; p22: Getty/Mike Harrington; p23(B): Getty/Mareen Fischinger; p25: Alamy/Viktor Cap; pp28/29: Shutterstock/Lai Ching Yuen; p31: Getty/Erik Dreyer; p32: Shutterstock/Anton Gvozdikov; p33(T): Alamy/AF Archive; p33(B): Corbis/Britta Pedersen/dpa; p35(a): Alamy/Judith Dzierzawa; p35(b): Getty/Nancy Ney; p35(c): Corbis/68 / Larsen@Talbert/Ocean; p35(d): Masterfile; p35(e): Alamy/David Wall; p35(f): Getty/Juan Silva; p35(g): Corbis/Paul Burns/Blend Images; p35(h): Superstock/ age fotostock; pp36/37: Superstock/Henry Georgi/All Canada Photos; p36(T): Alamy/Janine Wiedel Photolibrary; p37(L): Alamy/MBI; p37(R): Alamy/Image Source; p40(main): Corbis/ClassicStock; p40(L): Getty/George Marks; p40(R): Topfoto/Topfoto.co.uk; p43: Getty/Ghislain & Marie David de Lossy; p44(T): The Guardian/Graeme Robertson; p44(B): Getty/JB Lacroix; p45(TL): TimeOut, Hong Kong/Calvin Sit; p45(TR): Rex; p45(BL): Rex/Offside; p45(BR): Corbis/Andreas Lander /dpa; p46: Corbis/Kevin Dodge; p47: Random House LLC; p48(L): Alamy/Dinodia Photos; p48(R): Getty/William Philpott; p49(TL): Alamy/Mandoga Media; p49(TR): Masterfile; p49(BL): Getty /Fred Duval; p52(L): Masterfile/Robert Harding Images; p52(R): Masterfile; pp52/53: Corbis/Vstock/Tetra Images; p55: Getty/Per-Andre Hoffmann; p56(R) (forest): Whitley Fund For Nature; p56(BL): Alamy/Lou Linwei; p57(T) (logo): Whitley Fund For Nature; p57(TR): Whitley Fund For Nature; p57(T) (inset): Alamy/imageBroker; p57(CL): Whitley Fund For Nature; p57(CL) (inset): Whitley Fund For Nature; p57(BL): Alamy/F1online digitale Bildagentur GmbH; p57(BR): Whitley Fund For Nature; p57(BR)(inset): Whitley Fund For Nature; p58(T): Alamy/Kevin Schafer; p58(T)(inset): Alamy/Adrian Hepworth; p58(B): Shutterstock/Juice Team; p59(T)(a): Alamy/Stocksnapper; p59(T)(b): Getty/Anita Stizzoli; p59(1): Getty/Peter Walton Photography; p59(2): Shutterstock/v voe; p59(3): Shutterstock/zcw; p59(B)(a): Getty /AFP; p59(B)(b): Shutterstock/Sergey Skleznev; p59(B) (c): Shutterstock/violetkaipa; p60(T): Shutterstock/Svetlana Yudina; p60(B): Shutterstock/Shane Gross; p61(TL): Alamy/ Westend61GmbH; p61(TC): Alamy/Alaska Stock; p61(TR): Alamy/blickwinkel; p61(CL): Corbis/Paul van Hoof/Buten-beeld/Minden Pictures; p61(CR): Alamy/Juniors Bildarchiv GmbH; p61(BL): Corbis/Stephen Dalton/Minden Pictures; p61(BR): Rex/Image Broker; p64(T): Alamy/World Pictures; p64(B): Rex/Jay Town/Newspix; p65: Rex/FLPA; p67: Corbis/Hugh Sitton; pp68/69(B): Superstock/Franck Binewald/Imagebroker.net; p69(L) (firefighters): PA/Eraldo Peres/AP; p69(L)(jeep): Alamy/patrick nairne; p69(L)(hospital): Rex/Sipa Press; p69(TR): BBC Photo Sales; p70: Alamy/imageBroker; p71(a): Alamy/Julie Woodhouse; p71(b): Alamy/Martin Turzak; p71(c): Alamy/Food and Drink Photos; p71(d): Alamy/amana images inc.; p71(e): Shutterstock/Sean Wandzilak; p71(B): Alamy/Robert Harding Picture Library Ltd; p72(TL): Shutterstock/racorn; p72(TR): Alamy/MBI; p72(B): Alamy/JLImages; p73(L): Corbis/Inspirestock; p73(C): Alamy/Simon Reddy; p73(R): Alamy/ Bon Appetit; p76(1): Shutterstock/Radu Bercan; p76(2): Alamy/Robert Harding Picture Library Ltd; p76(3): Shutterstock/jan kranendonk; p77: Shutterstock/posztos; p79: Corbis/Michael Freeman; p80(a): Shutterstock/Natali Glado; p80(b): Superstock/View Pictures Ltd; p80(c): Alamy/Peter Donaldson; p80(d): Alamy/CulturalEyes-N; p81(T): Shutterstock/Breadmaker; p81(BL): Alamy/Greg Balfour Evans; p81(BR): Superstock/View Pictures Ltd; p82(L): Alamy/les polders; p82(a): Alamy/Jon Arnold Images Ltd; p82(b): Alamy/Images&Stories; p82(c): Alamy/David J. Green; p82(d): Alamy/Adam Burton; p82(e): Alamy/Clive Sawyer; p82(f): Alamy/Doug Houghton; p83(T): Getty/Folio Images; p83(B): Alamy/David Lyon; pp84/85: Corbis/Atlantide Phototravel; p85(Pablo): Masterfile; p85(Jen): Masterfile/Beth Dixson; p85(Kira): Masterfile; p88(TR): Shutterstock/Richard Goldberg; p88(CR): Alamy/North Wind Picture Archives; p88(main): Science Photo Library/National Reconnaissance Office; p89: Shutterstock/Richard Cavalleri; p91: Real Madrid via Getty Images; p93(T): Corbis/Gary Hershorn/Reuters; p93(B): Science Photo Library/Ria Novosti; p94: Getty/Nicolas McComber; p95(TR): Shutterstock/Goodluz; p95(CL): Corbis/Rick Friedman; p95(BL): Masterfile/Al Accardo; p100(a): Shutterstock/pio3; p100(b): Rex/Isopix; p100(c): Getty/Daniel Reiter/Stock4B; p103: Corbis/Lucas Jackson/Reuters; p104(TR): Rex/Moviestore; p104(CL): Rex/Moviestore; p104(CC): Rex/c.W. Disney/Everett; p104(CR): Kobal/Lucasfilm/20th Century Fox; p104(BL): Ronald Grant Archive/New Line Cinema/Wingnut Films/Lord Dritte Productions Deutschland Filmproduktion GmbH/Saul Zaentz Co.; p105(TR): Rex/Courtesy Everett Collection; p105(CL): Capital Pictures/NFS; p105(CR): Alamy/AF Archive; p105(BL): Capital Pictures/NFS; p105(BR): Photofest/Walt Disney Studios; p106: Corbis/enewsimage.com/Splash News; p107(L)(1): Alamy/Rob Ball; p107(L)(2): Alamy/Juice Images; p107(L)(3): Alamy/Ted Foxx; p107(R)(a): Shutterstock/ Igor Bulgarin; p107(R)(b): Lebrecht Music & Arts/Leemage; p107(R)(c): Alamy/Jose Elias/StockPhotosArt – Events; p108/109: Splash UK; p108(L): Rex/Gonzales Photo/Christian Hjorth/PYMCA; p109: Getty Images Entertainment; p112(T): Alamy/John Warburton-Lee Photography; p112(B): Alamy/Juice Images; p113(L): Alamy/Geraint Lewis; p113(C): Shutterstock/ Martin Lehmann; p113(TR): Rex/ Benjamin Lozovsky/BFAnyc.com; p113(BR): Lebrecht Music & Arts/Chris Christodoulou; p115: Corbis/Andrew Fox; p116(TL): Getty Images Sport; p116(BL): Alamy/Zuma Press Inc.; p116(BR): Getty/Shannon Stent; p117(T): Shutterstock/Richard Whitcombe; p117(B): Corbis/Remko de Waal/epa; p118(CL): Alamy/Mikhail Kondrashov “fotomik”; p118(BL): Alamy/imageBroker; p118(BR): Rex/Terry Harris; p119(a)(T): Shutterstock/Monkey Business Images; p119(b)(C): Shutterstock/Jacek Fulawka; p119(c)(L): Alamy/Robert Stainforth; p119(c)(R): Alamy/PYMCA; p119(c)(B): Shutterstock/Brian Eichhorn; p119(background): Shutterstock/ Songquan Deng; p120(TR): Shutterstock/Monkey Business Images; p120(BR): Shutterstock/ Image Point Fr; p124(T): Masterfile; p124(B): Masterfile/R. Ian Lloyd; p125(T): Corbis/Oliver Rossi; p125(B): Alamy/Yvette Cardozo; p130: Kobal/RKO; p154(T): Shutterstock/Pu Su Lan; p154(C): Alamy/Global Warming Images; p154(B): Alamy/Tips Images/Tips Italia Srl a socio unico; p155(R)(1): Shutterstock/ alslutsky; p155(R)(2): Getty/ Visuals Unlimited. Inc; p155(R)(3): Alamy/Images&Stories; p155(R)(4): Rex/Image Broker; p155(R)(5): Masterfile/Minden Pictures; p155(R)(6): Shutterstock/Cathy Keifer; p160(1): Kobal/ Paramount Pictures; p160(2): Corbis/Radius Images; p160(3): Rex/Ken McKay; p160(4): Kobal/New Line Productions/Michael Ginsberg; p160(5): Disney-ABC via Getty Images; p160(6): Kobal/Universal; p160(7): Ronald Grant Archive/Walt Disney Pictures/Pixar Animation Studios; p160(8): Rex/ITV; p160(9): Kobal/Dream Works Animation; p160(10): Rex/FremantleMedia Ltd; p160(11): Ronald Grant Archive/Ariescope Pictures; p160(12): Kobal/Samson Films/Summit Entertainment; p162(L): Andersen Ross/Getty Images; p162(R): Daniel Allan/Getty Images; p164 (BR): Bloomberg/Getty Images; p164 (BR): Olaf Doering/Alamy; p166 (T): ES Boston/Alamy; p166 (B): Goeorge Impey/Alamy; p168 (TL): Vanessa Davies/Getty Images; p168 (TR): Eric Farrelly/Alamy; p170: Jeanette Dieti/Shutterstock; p172 (TL): Noel Moore/Shutterstock; p172 (CR): Galiptynutz/Shutterstock; p172 (BR): ACnoncc/Alamy; p174 (L): Vittoriano Rastelli/Corbis; p174 (TR): Michael Haegele/Corbis; p174 (BR): Sally and Richard Greenhill/Alamy; p176 (T): Greg Pease/Getty Images; p176 (C): DreamPictures/Getty Images; p176 (B): John Robertson/Alamy; p178 (TR): Doug Houghton SCO/Alamy; p178 (CR): PCJones/Alamy; p178 (BL): Ian Dagnall/Alamy; p180 (T): Tony Tallec/Alamy; p180(BL): MBI/Alamy; p180 (BR): Cultura RM/Igor Emmerich/Getty Images; p182: Marcio Machado/ZUMA Wire/Alamy Live News; p183: CI2/Alamy; p184: Maurice Croooks/Alamy; p185: SOPA RF/SOPA/Corbis; p186:David Cumming/Eye Ubiquitous/Corbis; p187: Cynthia Lindow/Alamy.
Commissioned photography by Gareth Boden: pp10(T,B), 16(all), 28, 95(BR), 119(a)(C), p119 (b)(T,B) and 120(L).
We are grateful to Barratt Developments plc and Neide's Deli Cafe for their help with the commissioned photography.
Front cover photograph: Shutterstock/zhu difeng.
Cover design: Chefer
The publishers would like to thank the following illustrators: Beatrice Bencivenni, Mark Bird, Mark Duffin, Jo Goodberry, Mark (KJA Artists), Jerome Mireault, Gavin Reece, Gregory Roberts, Sean (KJA Artists), David Semple, Sean Sims, Marie-Eve-Tremblay, Antonio Cuesta Cornejo (English for Spanish Speakers).
Video: Click here
Corpus Development of this publication has made use of the Cambridge English Corpus (CEC). The CEC is a computer database of contemporary spoken and written English, which currently stands at over one billion words. It includes British English, American English and other varieties of English. It also includes the Cambridge Learner Corpus, developed in collaboration with the University of Cambridge ESOL Examinations. Cambridge University Press has built up the CEC to provide evidence about language use that helps to produce better language teaching materials.
English Profile This product is informed by the English Vocabulary Profile, built as part of English Profile, a collaborative programme designed to enhance the learning, teaching and assessment of English worldwide. Its main funding partners are Cambridge University Press and Cambridge ESOL and its aim is to create a 'profile' for English linked to the Common European Framework of Reference for Languages (CEFR). English Profile outcomes, such as the English Vocabulary Profile, will provide detailed information about the language that learners can be expected to demonstrate at each CEFR level, offering a clear benchmark for learners' proficiency. For more information, please visit www.englishprofile.org
CALD The Cambridge Advanced Learner's Dictionary is the world's most widely used dictionary for learners of English. Including all the words and phrases that learners are likely to come across, it also has easy-tounderstand definitions and example sentences to show how the word is used in context. The Cambridge Advanced Learner's Dictionary is available online at dictionary.cambridge.org. © Cambridge University Press, Third Edition, 2008 reproduced with permission.
Workbook Acknowledgements
The authors and publishers acknowledge the following sources of copyright material and are grateful for the permissions granted. While every effort has been made, it has not always been possible to identify the sources of all the material used, or to trace all copyright holders. If any omissions are brought to our notice, we will be happy to include the appropriate acknowledgements on reprinting and in the next update to the digital edition, as applicable.
The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.
The publishers are grateful to the following for permission to reproduce copyright photographs and material:
Key: L = left, C = centre, R = right, T = top, B = bottom
p.4(TR): Shutterstock/ARENA Creative; p.4(BL): Alamy/allesalltag; p.5(TL): Shutterstock/stefanolunardi; p.5(BR): Shutterstock/Christian Knospe; p.6(T): Shutterstock/TATSIANAMA; p.6(BR): Shutterstock/Ruslan Guzov; p.7(BR): Shutterstock/Iakov Filimonov; p.8(CR): Shutterstock/oneinchpunch; p.9(TL): Shutterstock/f9photos; p.10(BL): Shutterstock/wavebreakmedia; p.11(CL): Shutterstock/Galina Barskaya; p.11(TR): Shutterstock/Patryk Kosmider; p.12(B): Shutterstock/OrelPhoto; p.13(TR): Shutterstock/Stephen Coburn; p.14(TR): Shutterstock/wavebreakmedia; p.15(TL): Shutterstock/racorn; p.16(TL): Shutterstock/2xSamara.com; p.16(BR): Shutterstock/BlueOrange Studio; p.17(TL): Alamy/MBI/Stockbroker; p.17(BL): Alamy/OJO Images Ltd/Robert Nicholas; p.17(BR): Alamy/Janine Wiedel Photolibrary/janine wiedel; p.18(B): Shutterstock/Alan49; p.19(BL): Alamy/ClassicStock/H. ARMSTRONG ROBERTS; p.20(B): Shutterstock/Alex Staroseltsev; p.21(TL): Shutterstock/Johnny Habell; p.22(CL): Shutterstock/Pavel L Photo and Video; p.22(T): Alamy/PCN Photography/PCN Black; p.23(CR): Shutterstock/Visionsi; p.23(TL): Alamy/Kumar Sriskandan; p.23(TR): Shutterstock/RubinowaDama; p.24(BR): Alamy/Johner Images; p.24(TR): Shutterstock/Anton Kudelin; p.25(TR): Alamy/Pontino; p.26(BL): Shutterstock/Maglara; p.28(BL): Alamy/Blend Images/Ronnie Kaufman/Larry Hirshowitz; p.28(TR): Alamy/Lou Linwei; p.29(CL): Shutterstock/Stuart Monk; p.29(1): Shutterstock/Matt Gibson; p.29(2): Shutterstock/LoloStock; p.29(3): Shutterstock/LauraDyer; p.29(4): Shutterstock/Panu Ruangjan; p.29(5): Shutterstock/italay; p.29(6): Shutterstock/Olha Insight; p.29(7): Shutterstock/wandee007; p.29(8): Shutterstock/Aleksey Stemmer; p.29(9): Shutterstock/Tiago M Nunes; p.30(BL): Shutterstock/MNBB Studio; p.31(TL): Alamy/Travel Pictures/Pictures Colour Library; p.31(B): Shutterstock/Olivier Le Queinec; p.32(B): Shutterstock/Bruce Rolff; p.33(CL): Shutterstock/Concept Photo; p.34(TR): Getty Images/Doug Menuez; p.34(BL): Shutterstock/SK Kim; p.35(CL): Shutterstock/ariadna de raadt; p.35(BR): Shutterstock/Yellowj; p.36(B): Shutterstock/Viacheslav Lopatin; p.36(TR): Shutterstock/antb; p.37(T): Shutterstock/posztos; p.38(CR): Shutterstock/RioPatuca; p.40(CL): Shutterstock/Tyler Olson; p.41(TL): Shutterstock/Adam Gregor; p.41(TR): Alamy/Blend Images/Jade; p.42(TR): Alamy/Inmagine; p.42(BR): Shutterstock/Diego Cervo; p.43(C): Getty Images/Karl Blackwel; p.43(BR): Getty Images/Ekaterina Monakhova; p.44(C): Shutterstock/Darren Brode; p.46(T): Shutterstock/Kiko Calderon ESP; p.47(CL): Shutterstock/Takacs Szabolcs; p.47(TR): Getty Images/Jupiterimages; p.48(BL): Getty Images/Yellow Dog Productions; p.48(TR): Alamy/Geof Kirby; p.49(TR): Alamy/imageBROKER/Martin Schrampf; p.50(CR): Shutterstock/Lopolo; p.50(BR): Shutterstock/Blend Images; p.50(TR): Shuttertsock/wellphoto; p.51(B): Shutterstock/ronstik; p.52(TL): Kobal/Lucasfilm/20th Century Fox; p.52(TR): Getty Images/ABC/Lorenzo Bevilaqua; p.53(TR): Shutterstock/Igor Bulgarin; p.54(TR): Shutterstock/cdrin; p.54(B): Ronald Grant Archive/Walt Disney Pictures/Pixar Animation Studios; p.55(TL): Shutterstock/Air Images; p.55(BR): Shutterstock/Goodluz; p.56(B): Shutterstock/gualtiero boffi; p.57(TL): Shutterstock/stocksolutions; p.58(TL): Shutterstock/MIMOHE; p.58(TR): Shutterstock/arek_malang; p.58(CR): Getty Images/AFP/PAUL ELLIS; p.59(TL): Shutterstock/CHEN WS; p.59(BL): Alamy/P.D. Amedzro; p.59(TR): Shutterstock/Viacheslav Lopatin; p.60(BL): Alamy/Wild Places Photography/Chris Howes; p.60(TR): Alamy/AF archive/A.F. ARCHIVE; p.61(CR): Shutterstock/marchello74; p.62(B): Shutterstock/Rob Hainer.
Video stills by Rob Maidment and Sharp Focus Productions: p.30, 64, 66, 67, 68, 69, 71.
Filming in King's College by kind permission of the Provost and Scholars of King's College, Cambridge.
Illustrations by Ben Swift p. 49; Vicky Woodgate p.12, 19.
Teacher's Book Acknowledgements
The publishers would like to thank the following contributors to the English for Spanish Speakers edition: Eoin Higgins: writer (Teacher's notes); Louise Davoren: editor; Penny Nicholson: editor; Lanchuela: design and typesetting
The publishers would like to thank the following illustrators: Mark Bird, Sean (KJA), Paul Williams
Corpus Development of this publication has made use of the Cambridge English Corpus (CEC). The CEC is a computer database of contemporary spoken and written English, which currently stands at over one billion words. It includes British English, American English and other varieties of English. It also includes the Cambridge Learner Corpus, developed in collaboration with the University of Cambridge ESOL Examinations. Cambridge University Press has built up the CEC to provide evidence about language use that helps to produce better language teaching materials.
English Profile This product is informed by English Vocabulary Profile, built as part of English Profile, a collaborative programme designed to enhance the learning, teaching and assessment of English worldwide. Its main funding partners are Cambridge University Press and Cambridge English Language Assessment and its aim is to create a 'profile' for English linked to the Common European Framework of Reference for Languages (CEFR). English Profile outcomes, such as the English Vocabulary Profile, will provide detailed information about the language that learners can be expected to demonstrate at each CEFR level, offering a clear benchmark for learners' proficiency. For more information, please visit www.englishprofile.org
CALD The Cambridge Advanced Learner's Dictionary is the world's most widely used dictionary for learners of English. Including all the words and phrases that learners are likely to come across, it also has easy-to-understand definitions and example sentences to show how the word is used in context. The Cambridge Advanced Learner's Dictionary is available online at dictionary.cambridge.org. © Cambridge University Press, Fourth Edition, 2013 reproduced with permission.
Photo acknowledgements: The authors and publishers acknowledge the following sources of copyright material and are grateful for the permissions granted. While every effort has been made, it has not always been possible to identify the sources of all the material used, or to trace all copyright holders. If any omissions are brought to our notice, we will be happy to include the appropriate acknowledgements on reprinting.
The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.
The publishers are grateful to the following for permission to reproduce copyright photographs and material:
Key: UO = Unit Overview, L = left, C = centre, R = right, T = top, B = bottom
Lessons A&B p9(a): Shutterstock/Natali Glado; Lessons A&B p9(b): Superstock/View Pictures Ltd; Lessons A&B p9(c): Alamy/Peter Donaldson; Lessons A&B p9(d): Alamy/CulturalEyes-N; Lessons A&B p9(Scottish cottage): Alamy/les polders; Lessons A&B p9 R(a): Alamy/Images&Stories; Lessons A&B p9 R(b): Alamy/Jon Arnold Images Ltd; Lessons A&B p9 R(c): Alamy/David J. Green; Lessons A&B p9 R(d): Alamy/Adam Burton; Lessons A&B p9 R(e): Alamy/Clive Sawyer; Lessons A&B p9 R(f): Alamy/Doug Houghton; Lesson 7C pp10: Rob Maidment and Sharp Focus Productions for Cambridge University Press; Lesson D p11(TR): Shutterstock/Richard Goldberg; Lesson D p11(CR): Alamy/North Wind Picture Archives; Lesson D p11(rocket): Science Photo Library/National Reconnaissance Office; Lesson D p11: Shutterstock/Richard Cavalleri; Lesson E p12 (L): Vittoriano Rastelli/Corbis; Lesson E p12 (TR): Michael Haegele/Corbis; Lesson E p12 (BR): Sally and Richard Greenhill/Alamy; Get it right! p13 (CL): David Cumming/Eye Ubiquitous/Corbis; Get it right! p13 (BR): Cynthia Lindow/Alamy.
Front cover photograph: Shutterstock/zhu difeng.
Cover design: Chefer
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